ECN-2 Film Developing /Motion picture (Vision)/Noritsu scan
We started out as one of the few ECN-2 processing labs. Now ECN-2 film has become a go-to for many photographers thanks to its cinematic look and a price tag that won’t leave you in tears.
Note: We handle ECN-2 film processing for 35mm photo film only. We don’t work with 8mm, 16mm, or 35mm video footage.
How to get your motion picture film developed with us:
- make an online order and mail us your film, or just stop by with your rolls
- we develop & scan it (super fast, as always)
- check your inbox for the results
- pick up your negatives or have them shipped to you
Our turnaround:
Dev only — 7 working days
Dev&Flash scan — 7 working days
Dev&Biggie scan — 10 working days
What is ECN2 film developing
ECN stands for Eastman Color Negative. It’s the standard process used to develop motion picture film.
ECN2 film vs. color negative film
The rem-jet layer is what sets motion picture film apart. It’s a protective backing made of carbon, wax, and adhesive, designed to protect the film from scratches and static as it runs through a movie camera.
If a roll of ECN 2 film (with rem-jet still on) ends up in our color developing machine, it’s bad news. The rem-jet would mess up the chemistry and damage the other film in the tank. And yep, we’d be cleaning the machine for the rest of the day.
That was a smooth transition to…
What makes ECN 2 processing special?
ECN2 processing begins by removing the rem-jet layer. It takes some extra time and care, but once that’s done, the film moves through the usual steps:
- developer
- stop
- bleach
- fixer
- wash
- final rinse
- dryer
Film scanning
Once your film is developed, we scan it on the Noritsu scanner, known for speed, consistency, and its Digital ICE technology, which automatically removes dust and scratches.
It can scan your frames up to 4000×6000 px at 4600 ppi, offering two output formats:
- JPG – ready-to-post
- TIFF – flat scans, perfect for post-processing
Before sending, we always go over the scans manually: flipping frames, removing any visible marks, and adjusting exposure and color so you get results you’re genuinely happy with.
If you’re planning to edit the scans yourself, print them big, or use them in a project — go for the Biggie TIFF. It gives you the most detail and flexibility, without any adjustments from our side
How ECN-2 scans look
If you’re used to Kodak Gold, Portra, or Ultramax look, motion picture film will feel totally different. Daylight-balanced films like 50D, 250D, or 400D tend to have cooler, richer tones with stunning reds and blues. Tungsten-balanced films — 200T, 500T, 800T — shift toward greenish hues when shot in daylight because they’re balanced for 3200K lighting. But under artificial light, these films give you the result that looks straight out of a Wong Kar-wai movie.
Scans&negatives
Scan links are active for 3 days. If you miss the deadline, just send us your order number and we’ll reupload the files.
We keep your negatives for 1 month. Need more time to pick them up? Just let us know and we’ll hold onto them a bit longer.
FAQ
I’M FROM ANOTHER CITY, BUT I REALLY WANT TO SEND MY FILM TO YOU, GUYS!
No problem! Just place an online order here and send your rolls to:
Film Speed Lab UG
Dietrich-Bonhoeffer Str. 32
10407 Berlin
+49 176 84786140
Before sending, take a look at our shipping checklist to make sure everything’s ready on your end.
SHIPPING CHECKLIST
- Yes
- No
- Yes
- No
(we love your creative packaging — from socks to iPhone boxes. But sometimes we get empty parcels, so we just want to be sure!)
- Yes
- No
*this helps us get started on your order faster
- Yes
- No
Thanks a lot, you’re the best <3
DO YOU SCAN HALF-FRAMES?
Yes! We can scan them in pairs or one by one — whatever works best for you. Just give us the heads-up when you order.
WHAT’S THE DIFFERENCE BETWEEN FLASH AND BIGGIE?
Think of it like this: if you’re going big — like for an exhibition or a gift — biggie’s your go-to
For everything else — flash. It’s fast, flexible and perfect for quick edits and everyday needs.
JPG OR TIFF?
If you’re looking for scans that are ready to post but still flexible for adjustments, go with JPG. We’ll make sure they look great, and you can tweak them however you like.
If you’re going for a certain look, go with TIFF for flat, untouched scans ready for your editing.
I DIDN’T QUITE LIKE THE RESULTS…
Then let’s improve them! Scanning is all about your personal style, so let’s tweak it until it’s just right for you.
WHAT IF I HAVE A BLANK ROLL OF FILM?
Oh, it’s the worst, we feel you.
We’ll refund the scan and just charge for the development. This also applies if your film is fogged or has damaged / transparent perforation.
